How to Draw Realistic Hair: 14 Steps with Pictures
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Hair locks must somehow wrap the head following the curves of its surface. Both circles have a layer around them, but A looks more like a flat shape, whereas B looks to be more spherical. Each hair comes from a specific point and grows in a different direction. Even when the hair is very long, the gravitational force eventually brings it down. Draw bigger curls within the outline, following the direction you've established before. Draw the outline of the strokes surrounding the face.
Step 1: Creating the Shape of the Hair
To do this, simply draw some lines that are lighter than the surrounding lines. Finally, add some fly-aways and split ends to the hair. This will make the hair look more natural and realistic. Once you have the basic shape of the hair, it is time to start adding some texture. For straight hair, you can simply add some light and dark lines to create the illusion of texture.
Step 7
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From here, we can look for the relationships of values. Doing this may make the shapes of lighter and darker value stand out a bit more. In fact, we'll use the same approach to draw hair of any style. The only exception with straight hair is that we're likely to see less dramatic changes in value. We'll still see contrast between darks and lights, but this will happen from layering instead of within each "clump" of hair. We also know that highlights are most likely to be found on the top of the head, closest to a light source above.
Step Two: Frame the face
Take a minute to review your reference image one more before we start drawing and shading with a pen. As can be seen, shadowing appears in small patches that appear to be inside the hair, as if one could see through the top layer of hair. Then there are times when the hair is tightly packed, making it impossible for us to see through it. We’ll start by shading the regions where we can observe the shadow using your ballpoint pen.
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It doesn't makemuch sense to go into more detail at this point because I will lose someof my drawing when I start drawing in values. However, just because Iam moving to value drawing does not mean that the block-in stage isover. • The little strands on Step 3 follow a very similar direction, but slightly more pronounced, enough to add dynamism to the shape of the hair clump. As my drawing advances, I ponder some possibilities for drawing the hair. This character will have straight hair, cut just over the shoulders.
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The artist states that if the hair isn’t wet, it should have volume. This tutorial shows you how to add volume to your hairstyles. Many people go to art classes to learn the basics of creating facial features and drawing portraits.
Step 8: Repeat for the right
Once you have the basic shape of the hair, start adding in the smaller details. Use a slightly darker pencil to add in the shadow lines and any individual strands of hair. Once you have the basic shape and texture of the hair, it is time to start adding some depth and realism. To do this, simply draw some lines that are darker than the surrounding lines.
The strands we'll be partially visible on top of the head as well. To follow this tutorial, you'll need some kind of head base. You can use mine, or create your own in some other style.
An eraser pencil or eraser pen works best at lifting the graphite in these areas. Strands of lighter hair can be developed using the eraser as well. Blonds have locations of darker tone in their hair, and people that have black hair have areas that are almost white (highlights).
However, in this tutorial, you’re going to learn how to draw and shade hair in an easy way. Iam keeping the darkest values and highest contrast around the face. 3) The hair drawing must convincingly represent the elements of light and shadow on form (such as the highlight, half-tone and shadow). Throughout this drawing I will be looking for shapes, beginning withgeneral ones and moving towards more and more specific ones.
I also put in some irregularities around the edges to match the surface (B). • Hair does not form a compacted shape, nor a consistent one. It is very light, so when the character moves, the wind, the humidity, or anything that surrounds it can affect its silhouette. • The volume varies depending on the amount of hair on each side of the head (3). Shade the haircut in a more definite way, drawing shadows between groups of curls.
I think no bangs would be better, but I want some hair to cover one eye, and the tips of the hair to curl inwards. Add strands of hair in the form of little springs all around the head. Make the general outline complete by drawing the hairline next to the ear. I love the look of the sketch and how the hair comes together in the final drawing. By the end of this tutorial, you, too, will have mastered the sleek ponytail with bangs.
Instead, concentrate only on shapes and the value within them. Well, the results may be different, but the thought process is the same. We'll still need to start with the overall shape of the hair. Curly hair tends to have more stray hairs that find their way outside the confines of the general shape. For this reason, we'll concentrate on drawing the shape without all of the stray hairs.
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